My approach to photography is informed by a background in both architecture and graffiti—two disciplines that, in very different ways, engage with the built environment. This dual perspective has shaped a sustained interest in the structures and spaces that lie beyond conventional aesthetic attention. I am drawn to the marginal, the functional, and the overlooked—architectures that exist without intention of representation.
My work often focuses on transitional landscapes: the peripheries of cities, the seams between urban and rural space, and environments shaped by infrastructure and everyday use. These places, neither entirely designed nor entirely accidental, reveal much about how we inhabit and transform our surroundings.
Most of my projects evolve from extended explorations by bicycle. Moving through the landscape in this way allows for a form of attentive drifting—responsive yet deliberate. It offers access to hidden, residual, or restricted sites that resist easy categorization. Photographing such spaces often requires immediacy and a certain discretion; it is an encounter with the built world in its most unguarded state.
I currently live and work in Berlin.
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